RED EPIC M CAMERA
The much anticipated addition to the RED family is the answer to the professional’s wildest dreams and exists as the most sophisticated and capable camera ever engineered and built. In a package one third the size of a RED ONE, resides a 5K Mysterium-X™ sensor and a 27 layer ASIC, the most advanced processor of its type in the World, enabling EPIC to capture up to 120 frames per second, each frame at full 14MP resolution . EPIC is engineered to be a DSMC™ (Digital Still & Motion Camera), a camera that excels in both worlds … by design. Providing native dynamic range of over 13 stops and resolution that exceeds Super 35 mm motion picture film, this is the camera of the Century.The Red Epic is a single Super 35-sized CMOS sensor and can shoot at high speeds 400 frames per second at a resolution of 1080 pixels , 300 frames per second at a resolution of 2000 pixels or 96 frames per second at a resolution of 5000 pixels. Rick has 3 custom built water housing for the Red Epic to cover Feature Films , Commercials and Water Extreme Sports shooting requirements . The Camera is in line for the 6k DRAGON Firm ware upgrade when available from RED.
3 x RED EPIC CUSTOM WATER HOUSING’s with VIDEO TAP and WATER PROOF MONITOR
Rick has 3 Dave Kelly Custom Water Housing’s for the Red Epic and Scarlet model cameras.
The first light weight housing allows you to use Red volt batteries in the handle or the housing can also be set up to use a separate battery box on the outside or in a small light weight back pack for longer shooting time.This Housing comes complete with a Video Tap and 20 meters of water proof cable that can be run to a water proof Monitor, Boat or to Land for Directors/Producers viewing. The Second Custom Housing is for total light wight situations when shooting with Wide lenses, the screen can also be removed for point and shoot work in heavy surf and uses Red Volt batteries only. The Third compact housing allows Red Brick battries inside the housing for extended shooting time but is also extremely light and compact, excellent for Long lens shooting and Wide angle shooting . All Housings have rear foam hood’s for better daylight viewing and cooling panels that stop fogging and the Cameras over heating.
Custom lens ports are available to house:
Ziess Compact Primes – Ultra Primes – Cooke S4′s – Red Pro Primes – 9.5mm Wide Angle
ALEXA — a new generation of digital cameras for feature, television, commercial, documentary, music video production and more. Compact and lightweight. ARRI’s new Super 35 format sensor delivers amazing images with a base sensitivity of EI 800, low noise and an unsurpassed dynamic range of 13.5 stops. This Camera can shoot Frame rates up to 60 frames per second.
PHANTOM MIRO 320 HIGH SPEED CAMERA
Custom Made DAVE KELLY Water Housing.
RED PRIME AND ZOOM LENSES
Red Prime and Zoom Cinema Lenses are optimized for Maximum Resolution to produce clean , crisp Images. All lens including the 18mm-85mm Zoom lens are PL Mount.
ZEISS SUPER ULTRA PRIME LENSES
Set of 5 Zeiss Super Ultra Prime Lenses. All T1.3 with PL Mounts. Super Light.
PHOTO-SONIC HIGH SPEED SUPER 16mm
Photo-Sonics, Inc. is one of the original industry pioneers that created and developed the high-speed photography industry. Innovation is the hallmark of the Photo-Sonics, Inc. product line. The Photo Sonics 1 VN will shoot up to 150 frames per second. The Photo-Sonics kit includes 2 camera bodies and 3 x 200ft Film Magazines.
The Photo-Sonics 1VN has a Dave Kelly Custom Water Housing.
BOLEX EL & BOLEX REX 5 SUPER 16mm
Rick has two Bolex EL Super 16mm camera’s. The EL is a later model electric camera made in Switzerland and capable of shooting from 12 – 50 frames per second complete with a built in light meter . The Bolex REX 5 will shoot 12 – 64 frames per second.
Both model cameras have Dave Kelly Custom Built Water Housings.
This 3D Camera is less than 6.6 pounds, the AG-3DA1 is equipped with dual lenses and two full 1920 x 1080 2.07 megapixel 3-MOS imagers to record 1080/60i, 50i, 30p, 25p and 24p (native) and 720/60p and 50p in AVCHD. It can record for up to 180 minutes on dual 32GB SD cards in Panasonic’s professional AVCHD PH mode, and offers professional interfaces including dual HD-SDI out, HDMI (version 1.4), two XLR connectors, built-in stereo microphone and twin-lens camera remotes. A 3D Nano Flash System can also be used to record at super high Mbps (A Higher Resolution) as well as a wide range of recording format . This 3D Rig has two custom built Dave Kelly Water Housings .
3D MATTE BOX AND FILTER KIT
Production MatteBox for 15 mm support systems.
Includes a Double Filter Stage for filters up to 5.65×5.65 and 5×6” vertical. Both filters can be moved and fixed in any vertical positions, the second also rotates. The Matte box is specially manufactured for 3D as well as 2D and has a complete set of Neutral Density filters.
3D NANO FLASH SYSTEM
As a recorder, nano3D features dual HD-SDI inputs as well as a LTC input for time-code. nano3D supports a wide range of video formats, including 1080i60/50, 1080p30/25/24, and 720p60/50/30/25/24. I-Frame only recording (up to 280 Mbps) guarantees that both the left and right frames are processed identically, for superior 3D rendering. Finally, up to 8-channels of embedded audio per HD-SDI stream can be recorded in uncompressed 24-bit 48KHz format, enabling full HD 5.1 or 7.1 program creation.The Nano Flash can be used as an external record source for the Panasonic AG-3DA1.
C-MOTION -MOTION 3D & STANDARD LENS CONTROL
Precision Linked Motorized controls for Focus, Iris, Zoom, or Convergence control.These wireless remotes can be used on 2D Productions or 3D Productions.
Includes: 4 motors, 2 Cayman command units, 1 hand control unit run/stop control, 3 batteries, two chargers and necessary accessories.
RONFORD BAKER SIDE BY SIDE 3D RIG
This versatile, strong and lightweight rig suited for filming in side-by-side configuration with medium and larger sized HD and Digital Cinema-spec cameras. Enabling three-axis adjustment, this rig allows for easy manipulation and is an excellent rig for professional 3D applications. Motors can be integrated for wireless interaxial and convergence. This rig also has a set of long lens support brackets that will hold lenses from 200mm to 600mm. Combined with the above C Motion – 3D Lens Control system this 3D rig is for top end 3D Production.
3D LCD MONITOR
The 25.5″ BT-3DL2550 3D LCD Monitor is a powerful 3D production tool with professional features such as dual HD-SDI and DVI interfaces as well as multiple display options. Whether utilized with the AG- 3DA1 fully-integrated Full HD Professional 3D Camcorder or with 3D rigs, the 3DL2550 displays high-quality, flicker-free 3D content and is equipped with invaluable production tools to help with your 3D production. Designed for broadcast and other professional applications, the full 1920 x1200 resolution display provides exceptional color performance.